Kmar
Truth is my Bitch
+5,695|6859|132 and Bush

http://frankenstein.machado.googlepages … xplication
I realize it's not everyone cup of tea. But I like this one by Mary Robinson..
[video]http://www.dailymotion.com/video/xawnir_untitled[/video]
The best I could find with narration


The Haunted Beach
Upon a lonely desert beach,
   Where the white foam was scatter'd,
A little shed uprear'd its head,
   Though lofty barks were shatter'd.
The sea-weeds gathering near the door,
   A sombre path display'd;
And, all around, the deafening roar
Re-echoed on the chalky shore,
   By the green billows made.

Above a jutting cliff was seen
   Where sea-birds hover'd craving;
And all around the craggs were bound
   With weeds–for ever waving.
And here and there, a cavern wide
   lts shadowy jaws display'd;
And near the sands, at ebb of tide,
A shiver'd mast was seen to ride
   Where the green billows stray'd.

And often, while the moaning wind
   Stole o'er the summer ocean,
The moonlight scene was all serene,
   The waters scarce in motion;
Then, while the smoothly slanting sand
   The tall cliff wrapp'd in shade,
The fisherman beheld a band
Of spectres gliding hand in hand–
   Where the green billows play'd.

And pale their faces were as snow,
   And sullenly they wander'd;
And to the skies with hollow eyes
   They look'd as though they ponder'd.
And sometimes, from their hammock shroud,
   They dismal howlings made,
And while the blast blew strong and loud,
The clear moon mark'd the ghastly crowd,
   Where the green billows play'd.

And then above the haunted hut
   The curlews screaming hover'd;
And the low door, with furious roar,
   The frothy breakers cover'd.
For in the fisherman's lone shed
   A murder'd man was laid,
With ten wide gashes in his head,
And deep was made his sandy bed
   Where the green billows play'd.

A shipwreck'd mariner was he,
   Doom'd from his home to sever
Who swore to be through wind and sea
   Firm and undaunted ever!
And when the wave resistless roll'd,
   About his arm he made
A packet rich of Spanish gold,
And, like a British sailor bold,
   Plung'd where the billows play'd.

The spectre band, his messmates brave,
   Sunk in the yawning ocean,
While to the mast he lash'd him fast,
   And braved the storm's commotion.
The winter moon upon the sand
   A silvery carpet made,
And mark'd the sailor reach the land,
And mark'd his murderer wash his hand
   Where the green billows play'd.

And since that hour the fisherman
   Has toil'd and toil'd in vain;
For all the night the moony light
   Gleams on the specter'd main!
And when the skies are veil'd in gloom,
   The murderer's liquid way
Bounds o'er the deeply yawning tomb,
And flashing fires the sands illume,
   Where the green billows play.

Full thirty years his task has been,
   Day after day more weary;
For Heaven design'd his guilty mind
   Should dwell on prospects dreary.
Bound by a strong and mystic chain,
   He has not power to stray;
But destined misery to sustain,
He wastes, in solitude and pain,
   A loathsome life away.

Mary Robinson, née Darby (27 November 1757 - 26 December 1800) is an English poet and novelist. During her lifetime she is known as 'the English Sappho'. She was also known for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779 and as the first public mistress of George IV.

In 1783, at the age of 26, Robinson suffered a mysterious illness that left her partially paralyzed. Biographer Paula Byrne speculates that a streptococcal infection resulting from a miscarriage led to a severe rheumatic fever that left her disabled for the rest of her life. From the late 1780s, Mary Robinson became distinguished for her poetry and was called "the English Sappho." In addition to poems, she wrote six novels, two plays, a feminist treatise, and an autobiographical manuscript that was incomplete at the time of her death. Like her contemporary Mary Wollstonecraft, she championed the rights of women and was an ardent supporter of the French Revolution. She died in late 1800 in poverty at the age of 42, having survived several years of ill health, and was survived by her daughter, who was also a published novelist.
Share some of your favorites. Don't be a smart ass.
Xbone Stormsurgezz
AussieReaper
( ͡° ͜ʖ ͡°)
+5,761|6411|what

Haikus Are Easy
But Sometimes They Don't Make Sense
Refrigerator



good idea for a topic

Last edited by AussieReaper (2009-10-23 23:22:32)

https://i.imgur.com/maVpUMN.png
Lai
Member
+186|6410
Kmar
Truth is my Bitch
+5,695|6859|132 and Bush

Lai wrote:

http://forums.bf2s.com/viewtopic.php?id=132020
?
Xbone Stormsurgezz
13urnzz
Banned
+5,830|6756

i'm still looking for a word that will rhyme with 'Nantuckett'.
Home
Section.80
+447|7106|Seattle, Washington, USA

I don't read much, but I did like some stuff by Poe and Allen Ginsberg.
Ultrafunkula
Hector: Ding, ding, ding, ding...
+1,975|6732|6 6 4 oh, I forget

burnzz wrote:

i'm still looking for a word that will rhyme with 'Nantuckett'.
Scumbucket
13urnzz
Banned
+5,830|6756

*reported






Little BaBy JESUS
m8
+394|6407|'straya
THE FLEA.
by John Donne


MARK but this flea, and mark in this,
How little that which thou deniest me is ;
It suck'd me first, and now sucks thee,
And in this flea our two bloods mingled be.
Thou know'st that this cannot be said
A sin, nor shame, nor loss of maidenhead ;
    Yet this enjoys before it woo,
    And pamper'd swells with one blood made of two ;
    And this, alas ! is more than we would do.

O stay, three lives in one flea spare,
Where we almost, yea, more than married are.
This flea is you and I, and this
Our marriage bed, and marriage temple is.
Though parents grudge, and you, we're met,
And cloister'd in these living walls of jet.
    Though use make you apt to kill me,
    Let not to that self-murder added be,
    And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it suck'd from thee?
Yet thou triumph'st, and say'st that thou
Find'st not thyself nor me the weaker now.
'Tis true ; then learn how false fears be ;
Just so much honour, when thou yield'st to me,
Will waste, as this flea's death took life from thee.
AussieReaper
( ͡° ͜ʖ ͡°)
+5,761|6411|what

"A poem. By Hans Moleman. I think that I shall never see. My cataracts are blinding me."

https://i49.tinypic.com/2n1hs7l.png
https://i.imgur.com/maVpUMN.png
lxcpikiman
imbad @ bf2
+70|6854|Toronto-Canada
Poema 20 - Pablo Neruda




I can write the saddest lines tonight.

Write for example: «The night is fractured
and they shiver, blue, those stars, in the distance».

The night wind turns in the sky and sings.

I can write the saddest lines tonight.
I loved her, sometimes she loved me too.

On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.

She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.

I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.

Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.

What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.

That is all. Someone sings far off. Far off,
my soul is not content to have lost her.

As though to reach her, my sight looks for her.
My heart looks for her: she is not with me

The same night whitens, in the same branches.
We, from that time, we are not the same.

I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.

Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.

I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.

Since, on these nights, I held her in my arms,
my soul is not content to have lost her.

Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.




Sound much better in Spanish but the meaning is the same.

Last edited by lxcpikiman (2009-11-22 19:11:47)

Uzique
dasein.
+2,865|6729
S’io credesse che mia risposta fosse
    A persona che mai tornasse al mondo,
    Questa fiamma staria senza piu scosse.
    Ma perciocche giammai di questo fondo
    Non torno vivo alcun, s’i’odo il vero,
    Senza tema d’infamia ti rispondo.



LET us go then, you and I,   
When the evening is spread out against the sky   
Like a patient etherised upon a table;   
Let us go, through certain half-deserted streets,   
The muttering retreats            5
Of restless nights in one-night cheap hotels   
And sawdust restaurants with oyster-shells:   
Streets that follow like a tedious argument   
Of insidious intent   
To lead you to an overwhelming question …            10
Oh, do not ask, “What is it?”   
Let us go and make our visit.   

In the room the women come and go   
Talking of Michelangelo.   

The yellow fog that rubs its back upon the window-panes,            15
The yellow smoke that rubs its muzzle on the window-panes   
Licked its tongue into the corners of the evening,   
Lingered upon the pools that stand in drains,   
Let fall upon its back the soot that falls from chimneys,   
Slipped by the terrace, made a sudden leap,            20
And seeing that it was a soft October night,   
Curled once about the house, and fell asleep.   

And indeed there will be time   
For the yellow smoke that slides along the street,   
Rubbing its back upon the window-panes;            25
There will be time, there will be time   
To prepare a face to meet the faces that you meet;   
There will be time to murder and create,   
And time for all the works and days of hands   
That lift and drop a question on your plate;            30
Time for you and time for me,   
And time yet for a hundred indecisions,   
And for a hundred visions and revisions,   
Before the taking of a toast and tea.   

In the room the women come and go            35
Talking of Michelangelo.   

And indeed there will be time   
To wonder, “Do I dare?” and, “Do I dare?”   
Time to turn back and descend the stair,   
With a bald spot in the middle of my hair—            40
[They will say: “How his hair is growing thin!”]   
My morning coat, my collar mounting firmly to the chin,   
My necktie rich and modest, but asserted by a simple pin—   
[They will say: “But how his arms and legs are thin!”]   
Do I dare            45
Disturb the universe?   
In a minute there is time   
For decisions and revisions which a minute will reverse.   

For I have known them all already, known them all:—   
Have known the evenings, mornings, afternoons,            50
I have measured out my life with coffee spoons;   
I know the voices dying with a dying fall   
Beneath the music from a farther room.   
  So how should I presume?   

And I have known the eyes already, known them all—            55
The eyes that fix you in a formulated phrase,   
And when I am formulated, sprawling on a pin,   
When I am pinned and wriggling on the wall,   
Then how should I begin   
To spit out all the butt-ends of my days and ways?            60
  And how should I presume?   

And I have known the arms already, known them all—   
Arms that are braceleted and white and bare   
[But in the lamplight, downed with light brown hair!]   
It is perfume from a dress            65
That makes me so digress?   
Arms that lie along a table, or wrap about a shawl.   
  And should I then presume?   
  And how should I begin?
      .      .      .      .      .   
Shall I say, I have gone at dusk through narrow streets            70
And watched the smoke that rises from the pipes   
Of lonely men in shirt-sleeves, leaning out of windows?…   

I should have been a pair of ragged claws   
Scuttling across the floors of silent seas.
      .      .      .      .      .   
And the afternoon, the evening, sleeps so peacefully!            75
Smoothed by long fingers,   
Asleep … tired … or it malingers,   
Stretched on the floor, here beside you and me.   
Should I, after tea and cakes and ices,   
Have the strength to force the moment to its crisis?            80
But though I have wept and fasted, wept and prayed,   
Though I have seen my head [grown slightly bald] brought in upon a platter,   
I am no prophet—and here’s no great matter;   
I have seen the moment of my greatness flicker,   
And I have seen the eternal Footman hold my coat, and snicker,            85
And in short, I was afraid.   

And would it have been worth it, after all,   
After the cups, the marmalade, the tea,   
Among the porcelain, among some talk of you and me,   
Would it have been worth while,            90
To have bitten off the matter with a smile,   
To have squeezed the universe into a ball   
To roll it toward some overwhelming question,   
To say: “I am Lazarus, come from the dead,   
Come back to tell you all, I shall tell you all”—            95
If one, settling a pillow by her head,   
  Should say: “That is not what I meant at all.   
  That is not it, at all.”   

And would it have been worth it, after all,   
Would it have been worth while,            100
After the sunsets and the dooryards and the sprinkled streets,   
After the novels, after the teacups, after the skirts that trail along the floor—   
And this, and so much more?—   
It is impossible to say just what I mean!   
But as if a magic lantern threw the nerves in patterns on a screen:            105
Would it have been worth while   
If one, settling a pillow or throwing off a shawl,   
And turning toward the window, should say:   
  “That is not it at all,   
  That is not what I meant, at all.”
      .      .      .      .      .            110
No! I am not Prince Hamlet, nor was meant to be;   
Am an attendant lord, one that will do   
To swell a progress, start a scene or two,   
Advise the prince; no doubt, an easy tool,   
Deferential, glad to be of use,            115
Politic, cautious, and meticulous;   
Full of high sentence, but a bit obtuse;   
At times, indeed, almost ridiculous—   
Almost, at times, the Fool.   

I grow old … I grow old …            120
I shall wear the bottoms of my trousers rolled.   

Shall I part my hair behind? Do I dare to eat a peach?   
I shall wear white flannel trousers, and walk upon the beach.   
I have heard the mermaids singing, each to each.   

I do not think that they will sing to me.            125

I have seen them riding seaward on the waves   
Combing the white hair of the waves blown back   
When the wind blows the water white and black.   

We have lingered in the chambers of the sea   
By sea-girls wreathed with seaweed red and brown            130
Till human voices wake us, and we drown.

YOU SHALL NEVER SHOW ME A BETTER POEM THAN THIS, EVER. IT'S IMPOSSIBLE - TECHNICALLY & ARTISTICALLY.
libertarian benefit collector - anti-academic super-intellectual. http://mixlr.com/the-little-phrase/
Gooners
Wiki Contributor
+2,700|6891

Uzique wrote:

YOU SHALL NEVER SHOW ME A BETTER POEM THAN THIS, EVER. IT'S IMPOSSIBLE - TECHNICALLY & ARTISTICALLY.
oh yeah?

roses are red
violets are blue
please flush the toilet
after your poo


take that uzique, italics and all
Brasso
member
+1,549|6889

lxcpikiman wrote:

Poema 20 - Pablo Neruda
Pablo Neruda's good.

The Poet's Obligation

To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell:
to him I come, and, without speaking or looking,
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a great fragment of thunder sets in motion
the rumble of the planet and the foam,
the raucous rivers of the ocean flood,
the star vibrates swiftly in its corona,
and the sea is beating, dying and continuing.


So, drawn on by my destiny,
I ceaselessly must listen to and keep
the sea's lamenting in my awareness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the autumn's castigation,
I may be there with an errant wave,
I may move, passing through windows,
and hearing me, eyes will glance upward
saying, "How can I reach the sea?"
And I shall broadcast, saying nothing,
the starry echoes of the wave,
a breaking up of foam and of quicksand,
a rustling of salt withdrawing,
the grey cry of sea-birds on the coast.


So, through me, freedom and the sea
will make their answer to the shuttered heart.
"people in ny have a general idea of how to drive. one of the pedals goes forward the other one prevents you from dying"
AussieReaper
( ͡° ͜ʖ ͡°)
+5,761|6411|what

AussieReaper wrote:

Haikus Are Easy
But Sometimes They Don't Make Sense
Refrigerator
someone asked for this awhile ago, anyway:

https://img230.imageshack.us/img230/9042/vnvdv.jpg

wallpaper
https://i.imgur.com/maVpUMN.png
Uzique
dasein.
+2,865|6729
haikus are actually pretty shit

UNLESS DONE BY GENUINE JAPANESES

THEN THEY'RE LIKE AWESOME AND TOTALLY ENCAPSULATES THE TERSENESS OF THEIR CULTUWAH
libertarian benefit collector - anti-academic super-intellectual. http://mixlr.com/the-little-phrase/

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