Uzique wrote:
i love how the 'aren't you a literature student?' jibe comes up, as if it's my lifelong occupation to read every single book that is ever published, or to read and re-read every single user's post 4/5 times for coherence and lucidity. no. if i'm judging the prose-style and the 'proficiency' of a book, what is there that i can't get from the first 5-10 pages? is beck writing a post-modern meta-fiction here? does he suddenly do a joycean u-turn and start writing in complex stream-of-consciousness technique from chapter 3 onwards, to reflect the fracturing disjunctions in the common psyche of the 21st century conservative man? oh no - he doesn't? guess the first 10 pages are as good a judge of his style as the whole fucking 300, then.
yes, i'm a literature student. yes, i do like to read. a large part of that 'skillset' is knowing what to actually read and where to spend your fucking time. if i can make a pretty reasonable judgement on beck's prose in the first 10 pages, i'm not going to spend 2 days reading the whole thing to get a confirmation. too busy spending the other 1 and a half days reading prose that actually IS illuminating, exciting and well-paced, e.g. proust.
No. You can't. There's this whole point to the book, and you can't get it from the first 10 pages, nor does the writing I'm talking about occur in that part of the book. It takes him a bit to get going. It's not awesome throughout--never said it was, nor did I say it was awesome to begin with.
How about we do this: Anoint Uzique High Commissar of D&ST Book Club. Before anyone can post anything here, it must be submitted to Uzique for approval first. Clearly the rest of us neanderthals aren't worthy of having any opinion on anything involving reading without clearing it through 'Zique first. He can tell just by reading ten random pages of any given book whether it will be any good or not--he's got crazy skillz, yo. Doesn't matter what any of us have read in the past, or are reading today, what grades we may have received in our own literature classes...all of that is utterly irrelevant to the High Commissar of D&ST Book Club. Only his opinion is relevant here. Submit to his knowledge of comparative fiction before it destroys you!
He's clearly the only one who is qualified to have an opinion on books...just ask him. Oh, never mind. You don't need to ask him. He'll tell you. Because that's what he's spending mommy and daddy's money on: a degree in telling other people what fiction to read and why. Which is kind of like telling other people what candy to buy and why.
[snobbery]"Oh you MUST buy licorice instead of gummy bears. Gummy bears are SO pedestrian! Licorice is CLASSIC!"[/snobbery]
Protip: It's still just FUCKING CANDY.
The "skillset" you speak of is purely subjective. People have varying tastes (hence the candy analogy). Just because you think something sucks doesn't mean it sucks. It just means YOU don't like it (and likely that your professors don't, either...wooptyfreakindoo). And it's the height of fucking hubris to think that just because YOU don't like it, it's not worth other people reading. On top of that, you twist off on something
you haven't even fucking read just because you don't care for the politics of the author. Pretty fucking enlightened of you. Oh, I forgot. You read
ten whole pages, so you can tell the nature of the entire book because you've got this mad skillset in "lit'rahtoor".
Excuse me if I say, "Fuck. That."
Back to the book: There was also something done with the Overton Window concept in the book that was actually quite interesting. You won't get that from reading the first ten pages, either. It's also why the character interaction is somewhat irrelevant--that (the interaction) isn't the point of the book. All of the things typically seen in a novel are merely vehicles for the main thrust of the book (which is not a political message, btw). I'm not going to go any more into it, because I don't want to spoil it any more than I have for anyone who wants to read it themselves.